So imagine two enemies, Parasite and Producer (John Bunyan, eat your heart out), each with a hostage. It’s an unstable stalemate, the dramatic conclusion of a cheesy movie. Who’s gonna flinch first? Will both hostages perish? Why is that guy smirking? What does he know that we don’t, or is he bluffing?
Cramming Atlas Shrugged into this framework, we know why Producer is smiling. Parasite’s hostage, which is the world Parasite knows, means nothing to Producer. Producer’s hostage, his own productivity, means everything to Parasite. So Producer has nothing to fear; he holds all the cards, and he doesn’t even care if Parasite figures it out.
Of course, that’s not how I characterize the situation we face today. Because there is no Atlantis, the world Parasite knows is the only world Producer knows too, and Producer loves her dearly, and is anguished at the pain she’s already suffered, and is terrified that Parasite just might kill her.
Producer also knows that Parasite will never let his hostage go voluntarily; Producer has spent the whole movie up until now trying to appease Parasite, and the situation has only gotten worse.
So Producer has taken a hostage of his own, his own productivity. But Parasite is smirking at Producer. “I know you’re never gonna pull that trigger, because you love your own hostage more than I do!” And Producer thinks Parasite might just be right, and then it’s game over.
But Producer can turn this situation around in two ways. First, he can let Parasite know that he’s just bat-shit crazy / punitive enough to pull that trigger. Parasite is searching Producer’s eyes, counting on seeing a glint of fear. What if Parasite saw something else?
The second scenario, well, let’s just hope we don’t get to that point. Parasite’s hostage is sick, and getting sicker. In the back of his mind, he knows that if she reaches the point of no return, there won’t be anything holding Producer back. Producer will be mourning, free, and in a mood for vengeance.
I wrote up this little metaphorical analysis because it helps clarify what I’m going for here. And it’s not how some of my readers see things, which is fine. They feel like they’re in the same situation as Atlas, that they don’t care about Parasite’s hostage. Obviously, their path is easier than mine. They’re not hurting me in any way, and I wish them luck. Heck, I hope I can help them as well. But because I want to save Producer’s hostage so much, and I don’t think Producer can bluff his way through this conflict, I’m trying to think of ways to convince Parasite that Producer means it, and to remind Producer that yes, the situation is bad, and isn’t going to improve.

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